Baby Review: An Astute Portrait of Queer Brazilian Hustlers Lost in the Established Order

Evoking the metropolitan unease and dynamic spirit of São Paulo, director Marcelo Caetano's unflinching drama centres on those who inhabit the outskirts of an constantly evolving metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the innocent young man finds solace in the arms of others.

On an evening out with his lively group of LGBTQ+ and gender non-conforming friends, Wellington encounters Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler over double his age. Bathed in the pulsating light of a neon-lit porn cinema, their first meeting is physical and passionate, with an edge of danger. Ronaldo promptly ushers Wellington to the clandestine realm of the sex trade and narcotics trafficking.

A Portrait of Understanding Instead of Exploitation

The director portrays Wellington’s new life of crime with tender empathy instead of as a exploitative warning story. Now going by the name of Baby, he approaches his transactional encounters with brash fearlessness and touching naivety. To his customers, Wellington offers more than his youth and his body, but also instances of tenderness.

In the hectic energy of São Paulo, overflowing with crowded backstreets and colourful shopfronts, there’s a gnawing loneliness, as adrift individuals hold fast to one another for temporary happiness.

"The streets are filled with danger, yet they are where they can forge familial bonds, too."

A Complicated Relationship of Love and Control

Ronaldo is at once a romantic interest and a sheltering paternal presence to Wellington, but their relationship is derailed by envy and monetary insecurity. Intimidation from nefarious characters in the underworld are overshadowed by the dread of state surveillance and incarceration, represented by the looming presence of police officers on patrol.

Baby is most powerful as a perceptive study of the lost people who have been failed by the system. The film stands as a moving exploration into resilience, chosen family, and the pursuit of purpose within a demanding urban landscape.

Craig Jones
Craig Jones

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and startup ecosystems.