Skip to content
Explore cutting-edge technology insights, digital trends, a…

Ballet Luminary Matthew Ball on Demanding Parts and Social Media Attention: 'I Don't Feel Protective About My Body'

Within the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is naturally straight-backed, his arms defined beneath a simple white T-shirt. During performances, ballet dancers can seem like powerful deities, yet frequently in person they are small. Not so Ball, whose height is one reason for his demand for princely characters and pas de deux work. With delicate traits and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced minimal teasing for his childhood passion in ballet. Joining the esteemed training institution at 11, he moved straight into the company and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished taking on meaty characters, especially the emotional turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His upcoming starring appearance is in a talk, in an "Evening With" event designed to offer intimate insights into a dancer's craft. He will guide the audience through a part, showing his mental workflow while performance. Yet in more comedic works, the test is significant. "Don Quixote is one of the toughest technically," he notes.

The Mental Game and Post-Performance Feelings

What about after a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the juice out of it, and get lost in the character, frequently I do feel self-conscious later. After an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Does this exist? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Drivers and Artistic Inspirations

His determination originated in youthful setbacks. Not doing well in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, music, and painting.

Intimate Performance and Personal Partnership

He additionally favors presenting dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They aren’t usually matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest cheerleader."

On Social Media and Physical Image

On Instagram, followers can see clips from his dance films and photos that highlight a sculpted physique. Does he care that the engagement can be somewhat objectifying? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be interpreted on multiple levels.

Ball describes his early self as "desperate for success." Did it met his expectations? "I am conscious of how life is a separate reality to the dreams you had as a child," he reflects. He likely has about ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."

The writer

Craig Jones

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and startup ecosystems.

Tech Insights Blog

Type to search articles.